Meetings and Events
Spring 2018 TRISECTION MEETING
Schools and Outreach
Fall 2008 meeting of the Indiana Section of the Mathematical Association of America
Saturday, October 25, 2008
(This date is a change from a previously announced schedule.)
Rose-Hulman Institute of Technology
|Announcement from the Chair
Rachel Hall (St. Joseph's University)
Mike Jolly (Indiana University - Bloomington)
We would like to hear presentations from you as well, so please consider giving a talk at the meeting. Talks should be of interest to a broad audience and are normally 15 to 25 minutes in length. We will soon have a submission form and registration information ready here on our website.
Submissions should be received by October 1.(*)
I look forward to seeing you at the fall meeting.
UPDATE: Call for Papers NOW CLOSED; (*) due date was extended to October 7.
Web-based registration (via EventBrite.com) NOW OPEN.
<---(registration link on left menu bar)
Lunch Menu: Vegetarian Lasagna, Italian Lasagna, Salad, Breadsticks, Coffee, Tea, Water
Contributed Talks: A web form was available here.
Rooms for talks all have computer, projector, laptop connections, and overhead.
Using the EventBrite web form for registration and paying by credit card is preferred;
however if you want to pay by check and register by mail, send this form: to
the Indiana Section Secretary, to arrive by October 17.
Title: Asymmetric Rhythms and Tiling Canons
Speaker: Rachel W. Hall, Saint Joseph’s University (this represents joint work with Paul Klingsberg, Saint Joseph’s University)
Abstract: Anyone who listens to rock music is familiar with the repeated drumbeat—one, two, three, four—based on a four-beat measure. However, other popular music (jazz, Latin, African) has different characteristic rhythms. Although much of this music is based on the four-beat measure, some instruments play repeated patterns that are not synchronized with the beat, creating syncopation—an exciting tension between different components of the rhythm. This paper is concerned with classifying and counting rhythms that are maximally syncopated in the sense that, even when shifted, they cannot be synchronized with the division of a measure into two parts. In addition, we discuss rhythms that cannot be aligned with other even divisions of the measure. Our results have a surprising application to rhythmic canons. A canon is a musical figure produced when two or more voices play the same melody, with each voice starting at a different time; in a rhythmic canon, rhythms, and not necessarily melodies, are duplicated by each voice. A rhythmic canon tiles if there is exactly one note onset in some voice on each beat. Upon mapping beats to integers, a rhythm forms a tiling canon if and only if its rhythmic motif and sequence of voice entries correspond to sets A and B forming a tiling of the integers—that is, a finite set A of integers (the tile) together with an infinite set of integer translations B such that every integer may be written in a unique way as an element of A plus an element of B. Although many have studied this problem, the complete classification of such tilings is an open question.
RACHEL W. HALL received a BA in Ancient Greek from Haverford College and a PhD in mathematics from the Pennsylvania State University. Her research interests are mathematical music theory and ethnomathematics. She is on the editorial boards of Music Theory Spectrum, Journal of Mathematics and Music, and Journal of Mathematics and the Arts. As a member of the folk trio Simple Gifts since 1995, she has toured throughout the Mid-Atlantic and released three albums. She plays the English concertina, piano, and (occasionally) tabla.
Title: A French Secret Applied to Invariant Manifolds
Speaker: Mike Jolly, Indiana University Bloomington
Abstract: In this self-contained talk we will start
by explaining what invariant manifolds are, and how they
can make the world a better place. We will then run through
a brief survey of how to compute them. We will finish
with a "new" method which uses some neat stuff from
vector calculus (where the secret is revealed). This is
joint work with John Lowengrub (UC Irvine) and Sharon Ulery
Bio: Mike Jolly received a B.S. in Mathematics from the University of Michigan, and a Ph.D. in Mathematics from the University
of Minnesota. He held a post-doctoral position at Princeton
University in Applied Mathematics and Chemical Engineering
before joining the faculty at Indiana University. His research interests include the mathematical treatment of turbulence
and invariant manifolds. His musical talents
are pretty much limited to playing the radio.
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